With its razor-sharp dialogue, erotic gamesmanship, and brilliantly ruthless central performance by Linda Fiorentino, The Last Seduction became one of the defining neo-noirs of the 1990s. Directed by John Dahl, the film revives the classic femme fatale for the post-Reagan era: smarter, colder, and more unapologetically manipulative than ever. Noir at its most merciless.
Looking to escape her unhappy marriage, villainous femme fatale Bridget Gregory (Fiorentino) convinces her husband, Clay (Bill Pullman), to sell cocaine, then steals the profits and runs out on him. She stops in a small town en route to Chicago, where she ensnares her next conquest, insurance man Mike Swale (Peter Berg). After getting a job at his insurance company, Bridget convinces Mike to run a scam — but things take a deadly turn when she recruits him to help get rid of her husband.
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Information coming soon.
Special Series
May – September, 2026
Sag Harbor Cinema turns its focus this summer to film noir – one of Hollywood’s most seductive and ever-evolving languages. Spanning the shadow-soaked fatalism of the 1940s and ‘50s to its sharper, colder reinvention in the late 20th and 21st centuries, SHC’s Summer Noir series traces the genre’s evolution from its classic roots to modern incarnations.
This repertory program is co-presented with the kind support of the SHS Foundation.