Saturday, March 22, 2025 at 6pm The Cinema will screen Frank Borzage’s The Mortal Storm, one of Hollywood’s strongest indictments of Nazi Germany released before the American entry into World War II. Members of the Stewart family will join the Cinema for an intro and Q&A, followed by a reception for the opening of exhibit…
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SAG HARBOR CINEMA PRESENTS WEDNESDAY MATINEES OF RIALTO PICTURES’ RESTORATIONS OF CLASSIC FILMS
February 26th-April 16th, 2025 The Cinema will screen eight restored films from acclaimed repertory distributor Rialto Pictures every Wednesday afternoon including Rififi, The Tales of Hoffmann, The Pianist, The Third Man, The Crime of Monsieur Lange, Billy Liar, The Grand Illusion, and A Woman is a Woman Sag Harbor, NY – Starting on February 26th…
SAG HARBOR CINEMA PRESENTS ‘GO WEST’ FEATURING SEVEN WESTERNS FROM THE FIFTIES February 15th-19th, 2025
SAG HARBOR CINEMA SCREENS THE BRUTALIST WITH CO-WRITER MONA FASTVOLD AND PRODUCTION DESIGNER JUDY BECKER IN PERSON Sunday, January 19th, 2025 at 3pm
Hayao Miyazaki’s THE BOY AND THE HERON
Tender, beautiful, macabre, thoughtful, hilarious, and heart-wrenching all at once, all of Miyazaki’s films – from the indelible fuzzy spirits in My Neighbor Totoro (1988), to the epic fantasy tale Princess Mononoke (1997), to the contradictions of love and war in Howl’s Moving Castle (2004), to the lovable and enchanting Ponyo (2008), to one of the highest-grossing film in Japanese history and Oscar-winning Spirited Away (2001) – continue to contribute to the ever-expanding, rich Miyazaki mythology.
Frostbitten Frames: Animated Films of the 20s and 30s
The story of the Golden Age of Animation in America through the lens of eight winter-themed toons when studios like Disney and Fleischer were competing for the top talent to create clever stories with gorgeous imagery and bespoke score, while trying to stay on the cutting edge of technology.
THE GLAMOR OF GERTIE
Read about Gertrude Lawrence’s life and career in conjunction with promotional coverage of STAR! in these rare scans
Douglas Sirk’s America
Douglas Sirk fled Nazi Germany and quickly found a home amongst a number of expatriated filmmakers in Hollywood. His distinctive style and palette alongside his subtly subversive melodramas were a commercial success and, later, a critical one. His influence looms large on the work of filmmakers such as Rainer Werner Fassbinder, Pedro Almodovar, David Lynch and Todd Haynes.
LITERARY TIES
The beginning of 2023 at SHC features several tie-ins with the literary world. From an Oscar nominated script from Nobel laureate Kazuo Ishiguro to Lizzie Gottlieb’s documentary about powerhouse literary duo Robert Caro and Robert Gottlieb to the great Frederick Wiseman’s latest film, a monologue based on Sophia Tolstoy’s diaries.
DeLillo’s “Unfilmable” WHITE NOISE
“White Noise” was long considered an unadaptable book and Noah Baumbach may not have been the obvious choice to take on the task, but when Baumbach reread the book following his Academy nominated Marriage Story, he found a relatable entry point, “The story is about a culture that is saturated by media,” Baumbach said. “Movies and entertainment being a big part of that. I felt like there could be a cinematic language we’re all familiar with that I could use to tell this story.”