Martin Scorsese, founder of the Film Foundation, has described Luchino Visconti’s The Leopard as “one of the greatest visual experiences in cinema.” With operatic grandeur and an exquisitely Proustian attention to 19th-century period detail and atmosphere, Visconti adapts Giuseppe di Lampedusa’s novel about a Sicilian prince at the end of the Risorgimento (the Italian unification) who through political cunning ensures the survival of the old aristocratic order in the face of revolutionary ferment and moral decay. Justly celebrated for its breathtaking ballroom sequence, the film features brilliant performances by Burt Lancaster, never better as the august Prince Fabrizio of Salina (and bearing no small resemblance to Visconti himself); Alain Delon, as his calculating nephew Tancredi, who goes off to join Garibaldi’s forces; and Claudia Cardinale, as the ravishing daughter of a rich bourgeois.
Restored in association with Cineteca di Bologna, Pathé, Fondation Jérôme Seydoux-Pathé, Twentieth Century Fox, and CSC-Cineteca Nazionale. Restoration funding by Gucci and The Film Foundation.
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The midweek matinees are back at the Cinema with five films by Italian master Luchino Visconti, including his rarely seen neorealist masterpieces Ossessione, La Terra Trema and Rocco e i suoi fratelli. Plus new restorations of Il Gattopardo and Gruppo di famiglia in un interno.
This program is funded in part by an award from the National Endowment for the Arts