Q&A with Giuliana Bruno, Notari Scholar, and Isaak Liptzin, Cinematographer. Followed by a book signing of Giuliana Bruno’s Streetwalking on a Ruined Map (Princeton University Press), the first study on filmmaker Elvira Notari’s work.
Italy’s first woman film director was Elvira Notari, a prolific pioneer of Neapolitan cinema whose emphasis on urban life and use of non-professional actors prefigured the neorealist movement of the 1940s and 50s. Successful in her time but largely forgotten today, Notari slipped into obscurity partially due to the state of her filmography: of the sixty feature films and over one hundred shorts that she directed, only three are known to exist in a complete state today. Elvira Notari: Beyond Silence is a portrait of a major artist and the people working to protect and expand her legacy.
Giuliana Bruno, Emmet Blakeney Gleason Research Professor of Visual and Environmental Studies at Harvard University, is internationally known for her research on intersections of the visual arts, architecture, and film. She is the author of seven books and over one hundred essays, translated in fifteen languages, including Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari (Princeton University Press, 1993), winner of the Society for Cinema and Media Studies book award, Public Intimacy (MIT, 2007), Surface (University of Chicago Press, 2014), Atmospheres of Projection (University of Chicago Press, 2022), and Atlas of Emotion (Verso, 2002), winner of the Kraszna-Krausz prize for best Moving Image Book. She lectures in museums and universities worldwide.
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